Alfred Hitchcock is a favorite director of mine, so when someone publishes a 26-page academic paper about him, of course I'm going to read it!
This one is particularly interesting; it deals with Hitchcock's use of ellipsis transitions in what's probably my favorite of his, Rear Window.
Read the article here:
What We Don't See, and What We Think it Means: Ellipsis and Occlusion in Rear Window-Tim
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